Play Along Piano

Tags

Opera

trolol3000

2:12	Est. Play Time
51	Measures
	4,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
	5	0	1	5	100%
Alto	12	0	3	4	100%
Baritone	9	0	2	4	100%
Bass	8	6	2	4	100%
Bass Trombone	2	0	0	5	100%
Bassoon 1	5	0	0	6	100%
Bassoon 2	7	0	1	6	100%
B Clarinet 1	11	0	1	5	100%
B Clarinet 2	10	0	0	4	100%
Contrabass	2	0	0	5	100%
Horn 3 4	11	4	3	4	100%
Oboe 1	11	0	1	4	100%
Oboe 2	12	0	2	5	100%
Soprano	12	5	2	4	100%
Tenor	13	10	3	4	100%
Timpani	5	0	0	6	100%
Viola	7	1	1	4	100%
Violin 1	14	9	4	4	100%
Violin 2	17	9	5	4	100%
Violoncello	5	0	1	5	100%
Contrabassoon	4	0	0	5	92%
B Trumpet 1	11	3	2	4	53%
B Trumpet 2	11	4	1	5	53%
Flute 1	10	0	2	4	53%
Flute 2	6	0	1	4	53%
Horn 1 2	11	4	3	4	53%
Piccolo	5	0	0	3	22%

Pa... pa... pa...

Alex Cook1

2:23	Est. Play Time
129	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
Papagena	13	0	1	6	78%
Papageno	11	0	2	6	78%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

2:32	Est. Play Time
107	Measures
	2,086Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
Basso Continuo	19	0	2	5	100%
Fagotto (Viole)	21	0	2	4	100%
Oboe 1	15	0	2	5	100%
Oboe 2	14	0	4	5	100%
Contrabassi Continuo	14	0	2	3	79%
Viole	11	0	2	4	79%
Violini 1	13	0	2	4	79%
Violini 2	11	0	2	4	79%
Violoncelli Continuo	14	0	2	3	79%
Corni re	8	0	0	3	73%
Corni sol	7	0	0	3	72%
Bassi	13	0	2	3	69%
Contralti	9	0	1	4	69%
Soprani	13	0	2	4	69%
Tenori	8	0	2	4	69%
Cleopatra	8	0	0	4	23%
Cesare	9	0	2	4	22%

A tanto duol (Bellini)

Carlos E. Marrero

3:04	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabajos	12	0	3	4	100%
Violas	11	0	0	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabajos	12	0	3	4	100%
Violas	11	0	0	5	100%
Violines 2	13	1	0	5	100%
Violonchelos	13	0	1	5	100%
Violines 1	10	0	2	6	86%
Clarinete en Si♭	14	0	2	9	83%
Fernando	19	0	7	8	72%
Corno en Fa 1 - 3	7	3	0	5	66%
Piccolo	14	0	1	6	66%
Corno en Fa 2 - 4	7	4	0	5	62%
Clemente	14	0	3	6	52%
Flautas	16	0	0	6	48%
	15	0	0	3	28%
Clarinete en La	12	0	4	7	41%
Oboe 1	5	0	0	3	34%
Oboe 2	5	0	0	3	34%
Fagot 1	9	0	1	3	31%
Trombón	4	0	1	3	28%
Trombón bajo	4	0	0	3	28%
Fagot 2	4	0	0	2	14%

Expressive glances - TTBar+SATB Sullivan

sangerforum

2:46	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	62	10	4	100%
	25	34	11	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	62	10	4	100%
	25	34	11	5	100%
Alto	10	1	3	5	57%
Bass	10	4	1	5	57%
Soprano	13	0	3	5	57%
Tenor	9	0	3	5	57%
Cyril	12	0	5	7	31%
Florian	13	0	4	6	28%
Hilarion	11	0	2	6	27%

"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%